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Etching "Portrait of the Artist Jacob Jordaens", 1800. The author of the original: Anthonis van Dyck (1599 Antwerp - 1641 London), whose creative heyday came in the first half of the 17th century, art critics are often called the most talented and beloved student of Rubens. Fame came to him after a series of picturesque ceremonial portraits, thanks to which he was appointed court painter and won the patronage of the English king Charles I. Van Dyck wrote more than nine hundred works. And when he and his teacher decided to try to replicate these works and transferred them to metal, unprecedented popularity came to the master. Anthony van Dijk achieved perfection in the creation of engravings. He created his etchings on sheets of copper. The plate was covered with a special composition, and then a drawing was scratched on it with special tools. This made it possible to obtain prints of excellent quality - the ink applied to the finished etching was retained only in the etched depressions and was transferred to the paper during printing. Original author engraver: Petrus or Pieter de Jode I (1570 - 1634, Antwerp), Flemish painter.
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
"Портрет художника Jacob Jordaens"
Офорт "Портрет художника Jacob Jordaens", 1800гг. Автор оригинала:Антонис ван Дейк (Anthonis van Dyck) (1599 г. Антверпен - 1641 Лондон), чей творческий расцвет пришелся на первую половину XVII века, искусствоведы часто называют самым талантливым и любимым учеником Рубенса. Известность пришла к нему после серии живописных парадных портретов, благодаря которым он был назначен придворным живописцем и снискал покровительство английского короля Карла I. Ван Дейком было написано более девяти сотен произведений. А когда он и его учитель решили попробовать растиражировать эти работы и перенесли их на металл, к мастеру пришла невиданная популярность. В создании гравюр Антонис ван Дейк достиг совершенства. Свои офорты он создавал на листах меди. Пластина покрывалась особым составом, а затем на ней специальными инструментами процарапывался рисунок. Это позволяло получать оттиски отличного качества - нанесенная на готовый офорт краска задерживалась только в протравленных углублениях и при печати переносилась на бумагу. Автор оригинала гравёр: Petrus или Питера де Jode I (1570 - 1634, Антверпен), фламандский живописец.
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