39. Silver photo frame with guilloché enamel. Saint Petersburg. I.S. Britsyn. 1908-1917.
ID-ANTQ-8531
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Silver photo frame with guilloché enamel. Saint Petersburg. I.S. Britsyn. 1908-1917.
Master of the Faberge company I. Britsyn. Silver photo frame with guilloché enamel. St. Petersburg, 1908-1917. Silver, carving, blue guilloché enamel, beveled glass. Hallmarks: 84 samples, female head in a kokoshnik, facing to the right and code of the St. Petersburg Assay Office, workshop “BRITSYN”, “I.B”. Dimensions: height 10 cm, frame diameter – 9.8 cm, clear diameter – 5.8 cm O. Weight: 248 g. Britsyn Ivan Savelievich (1870-1952). Former employee of the Faberge company in St. Petersburg (“Our former employee.” From the notebook of Eugene Faberge - Tatiana Faberge Archive, Versonne, France). He passed the exam to become a goldsmith in March 1903 and opened his own enterprise, “Russian Enamel” (Malaya Konyushennaya Street, 12), where 10-15 people worked. The companys products were awarded a gold medal at the St. Petersburg Craft Exhibition in 1909. In 1910 – 1917 Ivan Britsyn repeatedly supplied his products to the courts of members of the imperial family and to the Cabinet of His Majesty. Ivan Britsyns products were in constant demand on the English market. He made products made of stone and purple, collaborated with A. Sumin. During the NEP period he had his own workshop (1923). Britsyns products are often exhibited at auctions at the worlds largest auction houses and are listed along with Faberge items. Britsyn managed to create his own creative style, unlike Faberge, the distinctive features of which are original shaping, large guilloche patterns of unexpected geometry and a more contrasting and “thick” palette of enamels. Cigarette cases with pale blue and white transparent enamel are considered Britsyns calling card. Britsyn, one of the few, besides Faberge, made table clocks. The revolution of 1917 interrupted the work of the extraordinary jeweler. Information about his work in the period 1924-1952. are very scarce, but it is known that Ivan Savelyevich continued to work in his specialty.
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Condition: Excellent
Style: Neoclassicism
Country: Russia, St. Petersburg
Period: Early 20th century
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Серебряная рама для фото с гильошированной эмалью. Санкт-Петербург. И.С. Брицын. 1908-1917 год.
Мастер фирмы Фаберже И. Брицын. Серебряная рама для фото с гильошированной эмалью. Санкт-Петербург, 1908-1917 годы. Серебро, резьба, гильошированная эмаль сине-голубого оттенка, стекло с фацетом. Клейма: 84 пробы, женской головы в кокошнике, обращенной вправо и шифром Петербургского пробирного управления, мастерской «БРИЦЫНЪ», «И.Б». Размеры: высота 10 см., диаметр рамы – 9,8 см, диаметр в свету – 5,8 см. О. Вес: 248 гр. Брицын Иван Савельевич (1870-1952). Бывший работник фирмы Фаберже в Петербурге («Бывший наш сотрудник». Из записной книжки Евгения Фаберже – Архив Татьяны Фаберже, Версонне, Франция). Сдал экзамен на золотых дел мастера в марте 1903 года и открыл собственное предприятие «Русская Эмаль» (Малая Конюшенная улица, 12), где работало 10-15 чел. Изделия фирмы удостоены золотой медали на Петербургской ремесленной выставке 1909 года. В 1910 – 1917 гг. Иван Брицын неоднократно поставлял свои изделия ко дворам членов императорской фамилии и в Кабинет Его Величества. Изделия Ивана Брицына пользовались неизменным спросом на английском рынке. Исполнял изделия из камня и пурпурина, сотрудничал с А. Суминым. В период НЭПа имел собственную мастерскую (1923 год). Изделия Брицына нередки на аукционах крупнейших мировых аукционных домов и котируются наряду с вещами Фаберже. Брицын сумел создать собственный, непохожий на Фаберже, творческий почерк, отличительными чертами которого являются оригинальное формообразование, крупный рисунок гильоше неожиданной геометрии и более контрастная и «густая» палитра эмалей. Визитной карточкой Брицына считаются портсигары с бледно-голубой и белой прозрачной эмалью. Брицын, один из немногих, кроме Фаберже исполнял настольные часы. Революция 1917 года прервала творчество незаурядного ювелира. Сведения о его работе в период 1924-1952 гг. весьма скудны, но известно, что Иван Савельевич продолжал работать по специальности.
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Read unique art history information prepared by professional Art market participants, Art Expert.
Konstantin Artamonov
Master of Arts. Graduate of the Repin Institute of Painting, Sculpture, and Architecture. With 20 years of experience in the field of antiques and teaching the history of fine arts at university.
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