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Russian icon of the Pantocrator on a thick cypress board from the mid-19th century.
Impressive and heavy Icon of the Pantocrator on a thick cypress board without dowels, mid-19th century. Canonically represents the half-figure of Christ with a blessing gesture and an open Gospel. With titles in baroque cartouches on the sides of the halo and an ornamental belt separating the image from the margins. On which are presented: St. Michael the Scribe and St. Agnia the Martyr. The order of execution and the dimensions of the expensive board require special care and quality of painting. Even now it is a monument to the icon painting art of the mid-19th century, bearing the imprint of noble sublimity, decorative and stylistic harmony. The influence of the second baroque is summed up by the contrasts of the black lines of the cartouches and the black and gold belt around the dark chitin of the Pantocrator. All around, muted olive tones of flowers convey a general atmosphere of humanized warmth and meekness. The aura of mercy is emitted by the faded, craquelure background of the icon and the soft color of the fields, preserving the nostalgia of a long time ago and a thing made with love. Russia 1850-1860. Icon size: 40x34.2 x4.4 cm.
Location: Gallery "Antiqon", Brivibas street 52, Riga, Latvia
Warranty: Seller Warranty
Country: Russia
Period: Mid-19th century
Item description is approximate automatic translation . Antiqon.com is not responsible for translation errors. Show original text.
Русская икона Вседержителя на толстой кипарисовой доске середины 19 века.
Внушительная и тяжелая Икона Вседержителя на толстой кипарисовой доске без шпонок, середины 19 века. Канонически представляет полуфигуру Христа с благославляющим жестом и раскрытым Евангелием. С титлами в барочных картушах по сторонам нимба и орнаментальным поясом отделяющим изображение от полей. На которых представлены: Св,книжник Михаил и Св, Мученица Агния. Порядок исполнения, размеры дорогой доски, предполагают особенную тщательность и качество живописных работ. Ещё теперь - это памятник иконописному искусству середины 19 века, несет отпечаток благородной возвышенности, декоративной и стилевой гармонии. Влияние второго барокко суммируют контрасты черных линий картушей и черно-золотого пояса, вокруг темного хитина Вседержителя. Вокруг приложенные, приглушенные оливковые тона цветов, передают общую атмосферу очеловеченной теплоты и кротости. Ауру милосердия излучают поблекший, подернутый кракелюром фон иконы и мягкий цвет полей, сохраняющий ностальгию давно, и с любовью сделанной вещи. Россия 1850-1860 годы. Размер иконы: 40х34,2 х4,4 см.
machine translation
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