Russian art

L. Libert. View of Paris from the Seine.

Ludolf Liebert (1885-1959). View of Paris from the Seine. 1930-1950. Oil on canvas. A poetic view of a secluded corner of Paris from the river, with a voluminous atmosphere of air and the contrasting reality of tree trunks. Made in the authors pictorial manner. Signed in the lower right corner. Dimensions of the painting without frame: 51 x 61 cm. In the original carved frame.

Begins 30.11.2024

Silver teapot-samovar for serving hot drinks. Shper Adolf. Saint Petersburg, 1843

Begins 30.11.2024 12:00:00

Icon of Our Lady of Vladimir Ivan Ovchinnikov. Moscow 1888

Begins 30.11.2024 12:00:00

Icon of the Lord Almighty. Russia, 19th century

Begins 30.11.2024 12:00:00

Snuffbox

Begins 07.12.2024 10:00:00

3 kopecks in copper, 1908.

Begins 07.12.2024 10:00:00

Silver coin "25 kopecks". 1856

Begins 07.12.2024 10:00:00

Painting "Lady with a Parrot"

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Caviar bowl, Moscow, 1892

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Sculptural composition Troika in winter E.NAPS .

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Peasant Troikas in Winter. Franz Alekseevich Roubaud, 1856 Odessa - 1928 Munich

Franz Roubaud`s painting Peasant Troikas in Winter is a striking example of the artist`s mastery in conveying the grandeur and beauty of the Russian winter landscape. In the center of the composition, which personifies traditional Russian life, is a troika of horses harnessed to a sleigh, making their way along a snowy impassable road. The main characters of the canvas are horses, embodying the strength and grace of Russian nature. The central role in the team is occupied by the root horse - a powerful and large horse, walking at a confident trot. On the sides, white jury horses gallop, their rapid forward gaze gives the scene dynamics and energy. The artist pays special attention to the details of the harness, including the decoration of the gilded arc, which emphasizes the status and beauty of the Russian horse. The decorative elements of the harness, such as the ornamental painting and the bells, add a sonic dimension to the painting, enlivening the scene and enhancing the sense of tradition and cultural richness. The atmosphere of the Russian winter is conveyed with amazing precision and attention to detail, creating a harmonious ensemble with the solemn ceremonial frame, which emphasizes the significance of the subject. Signed in the lower left corner F. Roubaud. On the back is the stamp of the art shop Hans Kellner, Munich. Oil on canvas. Dimensions: 59.5 x 83.5 cm. Hans Kellner art supplies dealer, brother of the author`s wife, who supplied stretchers for Franz Roubaud. Expert opinion Ms. Olga Sugrobova-Roth.

Begins 30.11.2024

Ludolfs Liberts (1895–1959) The Seine Embankment in Paris.

Begins 30.11.2024 12:00:00

Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)

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Erotic canvas MORNING AFTER THE WEDDING. Ivan Ivanovich SOKOLOV. 1876

Begins 30.11.2024 12:00:00

A.N. Mordvinov. Seascape. 1849.

Begins 30.11.2024 12:00:00

ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.

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Semyon Fedorov. Landscape Summer day. Second half of the 19th century.

Begins 30.11.2024 12:00:00

Girv A. A. Still life with a bat game.

Begins 30.11.2024 12:00:00

Yuli Yulievich Klever. Winter Sunset. 1912

This majestic and romantic work by Russian artist Yuli Yulievich Klever takes the viewer into the mysterious world of a winter sunset, saturated with a poetic atmosphere. The painting created by the author enchants with its expressiveness and richness, conveying the magic of a pre-sunset snowy evening.The central element of the composition is the golden-orange glow of the setting sun, which envelops the winter landscape and fills it with magic. Magnificent golden distances and fiery reflections of the sunset contrast with the silhouette of a lonely hut and the delicate lace of purple snow. Light, symbolizing life and hope, breaks through the clouds, penetrates the winter forest and is reflected on the surface of a thawed stream. Orange-golden rays gently envelop the forest space, warming the silent distance and snowy branches of the fir trees. The warm glow of the sunset illuminates the tree trunks, creating piercing reflections on the water and giving the whole scene a picturesque trepidation. Every detail of the landscape, from the gray snow to the majestic fir trees, is depicted with a deep sense of love and attention to nature, forming a unique poetic image. The gloomy forest is filled with light, giving the viewer a feeling of hope and confidence in the future, emphasizing the philosophical thought of the fleetingness of time and the inevitability of change. Oil on canvas measuring 122.5 x 96.5 cm is enclosed in a wide gilded frame, emphasizing its magnificence. In the lower right corner, the author`s signature of Y. Klever and the date 1912 are visible, testifying to the high skill and talent of the artist.

Begins 30.11.2024

Ivan Aivazovsky. Watercolor. Crimean harbor. 1817-1900

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Icon of the Lord Pantocrator in a gilded silver frame with enamels. Russia. Moscow, 1891

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Icon of the Lord Almighty. Silver enamel. Nikolay Grachev. Moscow. circa 1900

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A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.

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Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

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Icon of Our Lady of Vladimir at the turn of the 19th-20th centuries in an icon case.

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Chamber icon of the Almighty in a gilded silver frame, 1908-1917.

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Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.

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