Mantel clocks

Bronze fireplace clock set with candelabra.

Impressive bronze mantel clock set with candelabra by Moreau, on marble pedestals. It is a kind of altar of emancipation from the time of Napoleon III. The graceful, charming huntress goddess steps down from her pedestal, taking a step into the world of mortals and time. She is the alluring and armed nymph of natures blossom. Its plasticity and silhouette are consistent with the unbridled splash of sprouting bronze in the six-armed candelabra. Also a common stylistic denominator is the monumental-Renaissance work on marble and an abundant arsenal of bronze decor with torches - raising the ensemble to the altar of the Goddess. Manufacturer: Signature on the figure - Moreau, Emile via and Cie mechanism. Paris Clock height 80 cm, width 50 cm, depth 27 cm, candlestick height 85.5 cm.

12500 EUR

Mantel clock Allegory of Art - Music

Begins 07.12.2024 10:00:00

Mantel clock.

Begins 07.12.2024 10:00:00

Mantel Clock Marly Horses

Begins 07.12.2024 10:00:00

Fireplace clock set

Begins 07.12.2024 10:00:00

Mantel clock Cavalryman

Begins 07.12.2024 10:00:00

Mantel clock Allegories of Painting of gilded bronze 1920

Begins 07.12.2024 10:00:00

Restoration Period Bronze Clock Representing Eros And Psyche

4223 EUR

Fireplace clock in Boulle style

Begins 07.12.2024 10:00:00

Mantel clock in Louis XV style

Begins 07.12.2024 10:00:00

Unique mantel clock, made of glass and bronze. Royal Russia. Early 19th century.

A unique mantel clock made of glass and bronze made during the period of Nicholas I (1825-1855) in the style of the late Empire. The solar theme of the luminary rising from the waters is associated with the nature of abundance in the ornament of the dial and the dominant flowerpot on conical glass. The general leitmotif of the mobility of waves and time , permeates the work and is noticeable in the rhythm of the glass and the dial pattern. In the center of the composition, He and She are Helios’ assistants. Alpha and Omega of the universe. They rise from the waves and hold the luminary, affirming love, life, fertility. This is the connecting thread of times. The clock is made of gilded and polished bronze and cobalt glass, presumably made at the Imperial Glass Factory in St. Petersburg, with bronze bases of floral designs. The upper part of the clock is made in the shape of a vase and is decorated with gilded bronze floral decoration. The dial is marked with Roman numerals, decorated with a decor in the form of sun rays rotated in an hour circle. Literature: Sychev Igor. Russian lamps from the era of classicism. 1760-1830. M. P.V.B.R. 2003, illustration 116, 189,279, 305, 635, 795, 844, 845, 866 and 868.

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