Icons

Icon of the Lord Pantocrator in a gilded silver frame with enamels. Russia. Moscow, 1891

Icon of the Lord Pantocrator, made in 1891 in Moscow. The icon shows a half-length image of the Lord Pantocrator in traditional iconography: with an open book in his left hand and a blessing gesture of his right hand. The image was painted by a professional master in the academic style typical of Moscow workshops of the late 19th century. The silver gilded frame is decorated with shining enamels on the crowns, fields and corners, emphasizing the high artistic level of the icon. The icon is a striking example of the neo-Russian style, combining the features of historicism and modernism in Russian art at the turn of the 19th-20th centuries. Hallmarks: silversmith`s marks in Cyrillic AM, presumably Mukhin Alexander Alekseevich, hallmarks of the Moscow assayer - Oleks Lev Fedorovich - initials L.O - 1891. Dimensions: 27x22.5 cm. Historical background: Mukhin Alexander Alekseevich - owner of a silver products factory in the 2nd half of the 19th century. In 1879 there were 12 workers. He made 100 pounds of various silver items, totaling 112,000 rubles. Including salt shakers, gospel frames, church utensils.

Begins 30.11.2024

Icon of Our Lady of Vladimir Ivan Ovchinnikov. Moscow 1888

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Icon of the Lord Almighty. Russia, 19th century

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Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

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Icon of Our Lady of Vladimir at the turn of the 19th-20th centuries in an icon case.

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Chamber icon of the Almighty in a gilded silver frame, 1908-1917.

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Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.

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Icon of the Tikhvin Most Holy Theotokos in a silver frame and with cloisonné enamel. 1899-1908

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Icon of the prophets Zechariah and Daniel.

3000 EUR

Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.

12500 EUR

Icon of the Lord Almighty. Silver enamel. Nikolay Grachev. Moscow. circa 1900

The icon of the Lord Almighty, created in Moscow at the turn of the 19th and 20th centuries, is a half-length image of Christ in the classical iconographic tradition: in his left hand he holds an open book, and blesses with his right hand. The work was made by a professional master in the academic style typical of Moscow workshops of the late 19th century. The silver frame is decorated with a shining enamel crown, and its fields are covered with a relief chased plant ornament. At the bottom of the icon there is a plaque with an inscription made using the technique of pitted enamel. The icon is an example of the neo-Russian style, which combines elements of historicism and Art Nouveau, popular in Russian art at the turn of the 19th and 20th centuries. Hallmarks: silversmith in Cyrillic NG, presumably Nikolai Yegorovich Grachev, Hallmark of the Moscow District Assay Office with the initials of the district manager Ivan Sergeevich Lebedkin, appointed in 1899. Hallmark with the image of a woman`s head in a kokoshnik, facing left, in an oval shield, on the right side are the initials IL, on the left side is the assay value 84. Dimensions: 31x27 cm. Historical background: Nikolai Egorovich Grachev, owner of a gold and silver workshop, 1897-1917, Russian Empire, Moscow.

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Antique image of the Lord Almighty in a silver gilded frame. Russian Empire, Moscow, 1859.

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Moscow icon in gilded silver with enamels. John the Warrior. 1899-1908.

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Icon of Christ the Almighty in a silver frame. Semyon Galkin. At the turn of the 19th and 20th centuries.

Begins 07.12.2024 10:00:00

Five-part icon of the Mother of God of the Sign. Russia. 19th century.

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Triptych with three parts Deesis tier. 19th century.

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Bronze cross Crucifixion. 19th century.

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Icon Selected Holidays. Palekh. XIX century.

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A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.

Magnificent holidays with a passionate row, an annual menaion and a two-row cycle of icons of the Mother of God - a kind of encyclopedia of the Mother of God images. A majestic monument to Christianity and late Russian icon painting, where in one image the annual and Mother of God universe of Orthodoxy is revealed, full of sacrifice. With the epicenter of suffering and resurrection, the testimony of all the upcoming saints and with hope in the miraculous images of the intercessor. The Virgin Mary series is interrupted by the marks of Unexpected Joy, Joy of All Who Sorrow, the Sign and Coronation of Mary - milestones of the communion and growth of spiritual truths. The Passion Series is composed of: the Ascension of Mary, the Old Testament Trinity, the Entry into Jerusalem, the Raising of Lazarus, the Washing of the Feet, the Last Supper, the Flagellation of Christ, the Imposition of the Crown of Thorns, the Carrying of the Cross, the Crucifixion, the Descent from the Cross and the Entombment. Particularly attractive is the rare completeness of the lists of icons of the Mother of God, which can serve as an encyclopedia of the Mother of God images. The bright decorative painting on a golden background sounds excitingly solemn and life-affirming. Cypress board, gesso, tempera, gilding. Russia. Second half of the 19th century. Dimensions: 53x44 cm.

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Cast icon Nicholas the Wonderworker. Russia 19th century

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Icon of St. Nicholas the Wonderworker

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Icon of the Sign of the Most Holy Theotokos. Russia. Second half of the 19th century

Begins 07.12.2024 10:00:00

Icon of Our Lady of Kazan. Russia. The turn of the 19th and 20th centuries.

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Icon Nicholas the Wonderworker

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Icon of the Lord Almighty with a Scepter and Orb, Russia, circa 1908-1917

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Novgorod Icon of the Mother of God The Sign in a Silver Frame. Russia. 19th Century

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Large, copper-cast icon of the Smolensk Mother of God, with five enamels, in an icon case. Russia. 19th century.

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