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Conrad Portalis (French, 1890-1969), large bronze sculpture on an oval marble plinth. En nom de Dieu en avant (Forward in the name of God). Heroic bronze, depicting a rider on a rearing horse, with a raised Christian banner. The collective image of the army of Christ (St. George, Jeanne D-Arc, etc.), defenders and servants of the faith. In a more general sense, it is an image of goodness with fists. Patinated bronze. Signature on the pedestal, approximate dimensions without base H - 80 cm, 45 x 25 cm.

Begins 30.11.2024

Erotic canvas MORNING AFTER THE WEDDING. Ivan Ivanovich SOKOLOV. 1876

Begins 30.11.2024 12:00:00

A.N. Mordvinov. Seascape. 1849.

Begins 30.11.2024 12:00:00

ALEXEY PETROVICH BOGOLYUBOV (1824-1896). Astrakhan. Admiralty.

Begins 30.11.2024 12:00:00

Semyon Fedorov. Landscape Summer day. Second half of the 19th century.

Begins 30.11.2024 12:00:00

Girv A. A. Still life with a bat game.

Begins 30.11.2024 12:00:00

Ivan Aivazovsky. Watercolor. Crimean harbor. 1817-1900

Begins 30.11.2024 12:00:00

Painting Allegorical motifs with Bacchus.

Begins 30.11.2024 12:00:00

Nude. William Etty. 19th century.

Begins 30.11.2024 12:00:00

Fruit in the style of Jan van Huysum.

Begins 30.11.2024 12:00:00

Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.

This impressive painting attributed to Felix Ziem (1821-1911) is an outstanding example of mastery and deep passion for architectural landscapes. The composition centers on the majestic Doge`s Palace, surrounded by architectural elements that are exquisitely decorative and in the typical Venetian style. In the foreground of the painting are the two iconic columns of the Piazzetta that lead to St. Mark`s Square. The eastern column is topped by a bronze statue of a winged lion, symbolizing St. Mark, the patron saint of the city. The western column is topped by a marble statue of St. Theodore, the founder of Venice. These architectural masterpieces highlight the cultural and historical wealth of Venice, being important elements of its unique urban landscape. The front of the painting attracts the viewer`s attention with a boat with seated passengers in bright clothes and a gondolier skillfully managing an oar, which emphasizes the liveliness and dynamism of the scene. The author, following the traditions of the Barbizon school, uses a bright palette and special attention to light, creating a contrast between the warm shades of the buildings and the deep blue sky. This technique not only conveys the architectural beauty, but also gives the painting expressiveness and atmosphere. This painting is one of a series of works created by the author after an inspiring trip to Venice, where every stroke and color conveys his admiration for this city. The painting demonstrates painting techniques that anticipate elements of impressionism, which makes it a valuable testimony to the artistic development of its time. The painting is enclosed in an exquisite gilded frame emphasizing the grandeur of this work. Dimensions of the painting: 55.5 cm x 38.5 cm. Canvas, oil.

Begins 30.11.2024

Icon of the Lord Pantocrator in a gilded silver frame with enamels. Russia. Moscow, 1891

Begins 30.11.2024 12:00:00

Icon of the Lord Almighty. Silver enamel. Nikolay Grachev. Moscow. circa 1900

Begins 30.11.2024 12:00:00

Icon of the Lord Almighty. Russia, 19th century

Begins 30.11.2024 12:00:00

A magnificent icon of the Feasts with an annual menaion and a two-row cycle of Mother of God icons. Russia.19th century.

Begins 30.11.2024 12:00:00

Icon of Saint Nicholas with life on a cypress board, second half of the 19th century.

Begins 30.11.2024 12:00:00

Icon of Our Lady of Vladimir at the turn of the 19th-20th centuries in an icon case.

Begins 30.11.2024 12:00:00

Chamber icon of the Almighty in a gilded silver frame, 1908-1917.

Begins 30.11.2024 12:00:00

RENAULT Fernand Albert (1887-1939). Couple in love. Under the canopy of trees.

RENAULT Fernand Albert (1887-1939). Couple in love. It represents a symbiosis of classical themes, Fauvian technique and impressionistic relationships in the painting of neo-traditionalism of the 1930s. A monumental painting depicting a naked couple under the shade of trees against the backdrop of bridling horses not far from the sea. A couple in love, like Adam and Eve, talk with interest and study each other, as if getting used to each other. They are contrasted by skin color and light. She, under the spotlights of the sun, is white, voluminous and alluring. He is tanned in the shade, strong and brutal. With a look, a gesture, the enthusiasm of youth, he turns to her. The basis of their bed is made up of bright fabrics laid out on the ground. In them, scarlet spots complement the picturesque green foliage. The pastoral relaxation of the couple contrasts with the active background, where they throw a bridle on the horses. Which symbolically anticipates the young man’s luck in love. However, the topic is broader. They demonstrate the metaphysics of the mystery of the meeting and coexistence of the sexes. Authors signature lower right. Canvas, oil. 99Х132 cm.

Begins 30.11.2024

Printed metal icon of the Lord Pantocrator, turn of the 19th-20th centuries.

Begins 30.11.2024 12:00:00

Icon of the Tikhvin Most Holy Theotokos in a silver frame and with cloisonné enamel. 1899-1908

Begins 30.11.2024 12:00:00

Picturesque porcelain layer. Hortense RICHARD (1847-1900) Exorcist.

Begins 30.11.2024 12:00:00

Porcelain slab Love Game, KPM Berlin, circa 1830

Begins 30.11.2024 12:00:00

Porcelain plaque The Birth of Venus. Alexandre Cabanel. Late 19th century

Begins 30.11.2024 12:00:00

Delightful porcelain chandelier Meissen 1790, from the residence of King Alfonso XIII in Biarritz.

Begins 30.11.2024 12:00:00

Large salon vase with flowers. Ernst August Leuteritz. Meissen 19th century

Begins 30.11.2024 12:00:00

Meissen. Porcelain vase with snakes.

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